Web Usability 4 Summary:
Terms have old names, new names, confusing names. My intent is to show you options for point of view, to make you aware that you do need to choose one, or a combination of them, and not just let a story develop without a plan.
While we could limit the basic POV options to three or four, there are shadings to be aware of as well.
You do have options, even within a single point of view. While sometimes used interchangeably with the phrase viewpoint character, the two are not the same.
The viewpoint character is the one whose eyes see a story, the particular character whose viewpoint a story is told from. Think who when talking of viewpoint character.
Who is telling a particular story? Through whose eyes is a scene unfolding? The viewpoint character can and may change from scene to scene or chapter to chapter. The recommendation is to use the character with the most at stake as the viewpoint character in a scene.
This may be protagonist or antagonist. In romance it may be the hero in one scene, the heroine in the next. So in one scene that may mean Miss Scarlett, and in another, Colonel Mustard.
The confusion between viewpoint character and point of view comes in the use of the terminology. We often ask whose point of view is this scene being told in or by when what we mean is who is the viewpoint character in this scene.
Just understand that viewpoint character and point of view are different terms. For point of view think how rather than who. How is the story being presented? The accent is not on a particular character but on a presentation or narration style—first person, second person, or third person.
In simple terms, POV tells the reader than an I, a you, or a he or she is telling the story or lending his or her experiences and senses to share the story. Of course, though it would be more than unusual.
Use the same options as for the singular viewpoints. Examples of different points of view— I woke with a lizard on my shoulder. First person You woke with a lizard on your shoulder. Second Person Chester woke with a lizard on his shoulder. Omniscient or third-person objective He woke with a lizard on his shoulder.
And the squirmy reptile was speaking. Chester jumped out of bed and rubbed at his ear. And then he laughed. The first person point of view definitely allows readers to get up close and personal with a character. Can you use other POVs in these styles of stories? You may hit on the perfect combination or balance with a different POV.
But first-person POV does work successfully for these. Epic adventures with large casts or stories that stretch over long time periodspolitical thrillers, and heavily plot-driven adventure stories that criss-cross the world often use third-person omniscient.
The viewpoint character can see the faces of other characters—but he can only feel his own, not see it. Second person is still considered experimental. If you want to try something different, if you want to cast the reader as a character, second person allows for that.
Third-person POV is found in every genre for every age reader.The introduction to a news article is called the 'lede' and is usually in the first paragraph as in an essay. The 'lede' is a deliberate misspelling of 'lead' to prevent confusion in the days when printing was done with lead type. 🔥Citing and more!
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4. Summary: How to define usability? How, when, and where to improve it? Why should you care? Overview defines key usability concepts and answers basic questions. This is the article to give to your boss or anyone else who doesn't have much time, but needs to know the basic usability facts.
Noun. The book's preface was written by the author. a noted critic has written a short preface to her story to explain some of the historical background.